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The Life of Chuck review – Stephen King adaptation is a treacly mess with a dancing Tom Hiddleston
No one talks like a human being in Mike Flanagan’s ambitious but confused three-part tale, which stars everyone from Chiwetel Ejiofor to Mark Hamill ...
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CinemaBlend on MSNThe Life Of Chuck' Interviews With Tom Hiddleston, Mike Flanagan, Mark Hamill, Karen Gillan & More
Tom Hiddleston, Mark Hamill, Karen Gillan, Chiwetel Ejiofor, Kate Siegel, Matthew Lillard, Benjamin Pajak and director Mike ...
When that clicks into place, the film transmogrifies from a philosophical puzzle-box into a fuzzy-hearted bedtime story – ...
Tom Hiddleston thinks The Life of Chuck is a "unique" movie. The 44-year-old actor stars alongside the likes of Chiwetel ...
The latest adaptation by Mike Flanagan is a real crowd-pleaser – even if schmaltz occasionally overrides substance.
The Life of Chuck showcases King’s continuing interest in narrative experimentation, even in this late phase of a long ...
Director Mike Flanagan has proved himself to be King’s most sympathetic interpreter on film with The Life of Chuck, the story of a man’s life in three acts, told backwards.
Every once in a while, you’ll come across a movie that genuinely surprises you at every turn, and ‘The Life of Chuck' is ...
It’s the end of the world as we know it, and Charles ‘Chuck’ Krantz’s face is everywhere. Marty Anderson (Chiwetel Ejiofor), a middle school teacher with a big brain and a bigger heart, can’t quite ...
Life does not end with its conclusion, but rather with its beginning. That’s what Mike Flanagan’s adaptation of Stephen King’s short story tells viewers in this bittersweet coming-of-age tale about ...
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Irish Examiner on MSNFilm reviews: The Life of Chuck is an unusual Stephen King adaptation — feelgood stuff
I am large,” Walt Whitman wrote in The Song of Myself, “I contain multitudes,” an idea that consoles Marty Anderson (Chiwetel ...
The final (first) act explains how, when Chuck was a young fellow, his grandmother taught him to love dance after his parents died, and, in a very Kingian touch, introduces us to a terrifying room at ...
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