Fargeat wrote the prizewinning script after turning 40, as she grappled with feelings of obsolescence and inadequacy. “I had these massive thoughts that I had reached the age where I wasn’t going to ...
Major plaudits to Fargeat’s Foley team, as well as makeup effects designer Pierre-Olivier Persin, who gets to have a lot of fun with practical effects in The Substance's Cronenberg-ian flourishes.
Major plaudits to Fargeat’s Foley team, as well as makeup effects designer Pierre-Olivier Persin, who gets to have a lot of fun with practical effects in The Substance's Cronenberg-ian flourishes.