In my book, Spoiled, I engage with a group of contemporary Asian American artists who expose and unravel the expectation that ...
Summer Kim Lee and TJ Shin. Summer Kim Lee is an assistant professor of English at University of California, Los Angeles. Her ...
Years, Abbas Akhavan’s current exhibition at the Belkin Art Gallery at the University of British Columbia (UBC), loosely ...
In the late 1950s, Susanna and Marie sold the estate and bought a Victorian house in Jewett, an adjacent Catskills town, and ...
Sometimes called an alchemist, Azza El Siddique treats the act of making as just the beginning of a process that the artwork carries on. Her sculptures themselves have a collaborative hand. As a ...
An eight-foot wooden ramp was propped up at a forty-five-degree angle in one corner. Knotted ropes hung from six holes drilled near the ramp’s top. The din of the ongoing installation echoed from ...
Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...
The painter Agnes Martin contemplated language with a great deal of skepticism. Though she produced an impressive body of written work, mostly compiled and published for public consumption, Martin ...
The sound of breathing permeated the space. It was unsettling not only because this encounter happened in the middle of a pandemic in which a functioning lung meant survival, but also because ...
Chicago has never really recovered from Imagism. That local explosion—whose blast radius stretched from roughly the late 1940s through the mid-1970s—gave the city’s art scene the frisson that it long ...
Amy Sillman is a highly regarded painter, writer, and curator based in New York. One might regard her as a consummate insider. The artist has a solo exhibition at Gladstone Gallery this May but hails ...
The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever there’s a body around you see its faults. The question is, now, in an artworld and social ...