For ‘Megalopolis,’ Francis Ford Coppola Embraced Virtual Production — Including the LED Volume Stage
It’s fitting that the forward-thinking Francis Ford Coppola finally turned to virtual production on his $120 million futuristic passion project, “Megalopolis,” with its reliance on experimental ...
In a bid to continue attracting international shoots as in-camera VFX takes Spain by storm, Spain is bulking up on its studio infrastructure, with some of the latest cutting edge advances looking set ...
The Result of Industry-guided Development, Crystal LED VERONA Simultaneously Achieves True Black Levels and Reduces Reflections, Enabling the Next Generation of Quality for In-Camera VFX Applications ...
In a bid to continue attracting international shoots as in-camera VFX takes Spain by storm, Spain is bulking up on its studio infrastructure, with some of the latest cutting edge advances looking set ...
Gracia AI raises $1.7M for XR and VFX 4D Gaussian Splatting workflows, supporting standalone VR and 2D WebGPU-based playback ...
For ‘Megalopolis,’ Francis Ford Coppola Embraced Virtual Production — Including the LED Volume Stage
VFX supervisor Jesse Chisholm tells IndieWire about adapting to Coppola's theatricality and poetic realism, which embraced the in-camera sense of wonder in the LED volume.
In a bid to continue attracting international shoots as in-camera VFX takes Spain by storm, Spain is bulking up on its studio infrastructure, with some of the latest cutting edge advances looking set ...
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