Presence' writer David Koepp on the devastating reveal of who is the ghost in the house, working with Steven Soderbergh and returning to 'Jurassic World.'

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ghost-story horror.

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.

Steven Soderbergh never settles down. The director, who helped fuel the independent film revolution in the 1990s before hitting it big with the Ocean's 11 films, has always treate

Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump scares are huge. When people hear horror, they think of that. When

In 1989, both Steven Soderbergh and "Presence" screenwriter David Koepp had movies at the Sundance Film Festival. While the two didn't meet that year — Koepp was not in attendance for his "Bad Influence,